{"id":1660,"date":"2022-01-23T11:28:23","date_gmt":"2022-01-23T11:28:23","guid":{"rendered":"http:\/\/frontfoottheatre.com\/?page_id=1660"},"modified":"2022-06-30T07:37:25","modified_gmt":"2022-06-30T07:37:25","slug":"cast-creatives-rabbit-hole","status":"publish","type":"page","link":"https:\/\/frontfoottheatre.com\/?page_id=1660","title":{"rendered":"Cast &#038; Creatives (RABBIT HOLE)"},"content":{"rendered":"<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Cast<\/h2>\n<\/div><\/section>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding first  avia-builder-el-1  el_after_av_textblock  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><p><section  class='avia-team-member   avia-builder-el-2  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/03\/papp2-scaled.jpg' alt='Julia Papp'  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Julia Papp<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Becca<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p style=\"text-align: justify;\">Julia was trained at the Hungarian Academy of Dramatic Arts and studied Meisner technique at The Actors\u2019 Temple and at The Salon:Collective.<\/p>\n<p style=\"text-align: justify;\">Her theatre credits include Lady Anne in Richard III, Catherine in Proof, Nina in The Seagull, Rose in Di and Viv and Rose, Regan in King Lear, Natasha in Three Sisters, Sonya in Uncle Vanya, Abigail in The Crucible, Rosalind in As You Like It, Viola in Twelfth Night, Juliet in Romeo &#038; Juliet, Queen Beatrix in The Silent Knight, Imogen in Cymbeline, Elsa in Spoon River and Diana in The Dog in the Manger.<\/p>\n<p>Julia also recently appeared in BBC&#8217;s Baptiste as Nora.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.spotlight.com\/9332-0195-9740\">http:\/\/www.spotlight.com\/9332-0195-9740<\/a><\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div   avia-builder-el-4  el_after_av_one_half  el_before_av_hr  column-top-margin\" ><p><section  class='avia-team-member   avia-builder-el-5  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/04\/9938C2A2-1D3F-46B4-9531-BC6F366F979D-835x1030.jpeg' alt='Kim Hardy'  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Kim Hardy<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Howie<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p style=\"text-align: justify;\">Kim was trained at the Central School of Speech and Drama and studied Meisner technique at The Actors&#8217; Temple and at the Salon:Collective.<\/p>\n<p style=\"text-align: justify;\">His previous theatre roles includes Richard III in Richard III, Hal in Proof, Konstantin Trepljov in The Seagull, Gavroche in Les Miserables, Andrei in Three Sisters, Feste and Sebastian in Twelfth Night, Lysander in Midsummer Nights Dream, Romeo in Romeo and Juliet and Hotspur in Henry IV.<\/p>\n<p style=\"text-align: justify;\">He is also a talented photographer.<\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/www.spotlight.com\/9130-6720-1430\">http:\/\/www.spotlight.com\/9130-6720-1430<\/a><\/p>\n<\/div><\/section><\/p><\/div>\n<div   class='hr hr-default   avia-builder-el-7  el_after_av_one_half  el_before_av_one_half '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-8  el_after_av_hr  el_before_av_one_half  \" ><p><section  class='avia-team-member   avia-builder-el-9  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/04\/813003516Emma5051-824x1030.jpg' alt='Emma Vansittart '  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Emma Vansittart <\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Nat<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p style=\"text-align: justify;\">Emma was trained at the Central School of Speech and Drama.<\/p>\n<p style=\"text-align: justify;\">Her previous theatre credits include Mariana in Measure For Measure at the Royal Shakespeare Company, Claire Beaumont in Daisy Pulls It Off at the Globe Theatre,\u00a0Diana in Ring Round the Moon at the Royal Exchange Theatre, Manchester, Fay Hubbard in A Chorus of Disapproval at the Leeds Playhouse, Mariana in The Miser at Cambridge Theatre Company, Lady Cynthia Grey in The Supper Party, Alison and Griselda in Warehouse of Dreams, Linda Godfrey in Casting the Villain Aside, Mabel Chiltern in An Ideal Husband.<\/p>\n<p>She is also best known for playing Roberta &#8216;Bobby&#8217; Stair in Casualty and Margaret in Johnny English Reborn.<\/p>\n<p><a href=\"https:\/\/www.spotlight.com\/9738-1200-8412\">https:\/\/www.spotlight.com\/9738-1200-8412<\/a><\/p>\n<p style=\"text-align: justify;\">\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-11  el_after_av_one_half  el_before_av_hr  \" style='border-radius:0px; '><p><section  class='avia-team-member   avia-builder-el-12  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team av-team-img-original' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/01\/F00079675-0119-824x1030.jpeg' alt='Ty Glaser'  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Ty Glaser<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Izzy<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p style=\"text-align: justify;\">Ty was trained at the Lesly Kahn Studio in Los Angeles and studied Meisner technique at The Actors&#8217; Temple.<\/p>\n<p style=\"text-align: justify;\">Her theatre credits include Yerma in Yerma (Gate Theatre), Philotis in &#8216;Tis Pity She&#8217;s a Whore (West Yorkshire Playhouse), The Girl, Au Pair, Married Woman, Model &#038; Actress in The Blue Room (Litchfield Garrick Theatre), Edna in Waiting for Lefty, Juliet in Romeo and Juliet and Beatrice in Much Ado About Nothing.<\/p>\n<p>Ty has also appeared as series regular Gemma Wilde in Holby City, Libby Charles in Emmerdale and Sian Oakes in Ackley Bridge.<\/p>\n<p><a href=\"https:\/\/www.spotlight.com\/5919-8977-6487\">https:\/\/www.spotlight.com\/5919-8977-6487<\/a><\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<\/div><\/section><\/p><\/div>\n<div   class='hr hr-default   avia-builder-el-14  el_after_av_one_half  el_before_av_one_half '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-15  el_after_av_hr  el_before_av_hr  \" ><p><section  class='avia-team-member   avia-builder-el-16  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/02\/012IMG-20220220-WA0001-240x300.jpg' alt='Max Pemberton'  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Max Pemberton<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Jason<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Max trained at Lamda and has recently worked with The Actor\u2019s Training Company.<\/p>\n<p>His previous theatre credits include Konstantin in The Seagull, Valentine in Two Gentlemen of Verona and The Friar in Tis Pity she\u2019s a Whore. He can also be seen in the upcoming short film Trinou as Omar and later on this year will feature in Netflix\u2019s TV series, Wednesday directed by Tim Burton.<\/p>\n<p><a href=\"https:\/\/www.spotlight.com\/4212-1273-7817\">https:\/\/www.spotlight.com\/4212-1273-7817<\/a><\/p>\n<p style=\"text-align: justify;\">\n<\/div><\/section><\/p><\/div>\n<div   class='hr hr-default   avia-builder-el-18  el_after_av_one_half  el_before_av_hr '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<div   class='hr hr-default   avia-builder-el-19  el_after_av_hr  el_before_av_textblock '><span class='hr-inner ' ><span class='hr-inner-style'><\/span><\/span><\/div>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><h2>Creatives<\/h2>\n<\/div><\/section>\n<div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-21  el_after_av_textblock  el_before_av_one_half  column-top-margin\" ><p><section  class='avia-team-member   avia-builder-el-22  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/04\/loz-824x1030.jpg' alt='Lawrence Carmichael'  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Lawrence Carmichael<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Director<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Lawrence is a Director, Actor, Movement Specialist &#038; Fully Certified Fight and Intimacy Director.<\/p>\n<p>He works widely as an acting and performance coach and teaches at multiple academies including Identity School of Acting and East 15.\u00a0 He is East 15 Acting School\u2019s first-ever resident intimacy specialist, well-being movement lecturer, and lead fight and intimacy consultant on all in-house productions.<\/p>\n<p>As a performer, Lawrence has worked professionally across Australia, the UK and Europe with a wide range of theatre companies as well as in film and television.<\/p>\n<p>As a movement specialist with a focus on Fight, Intimacy, Commedia and Character work, Lawrence is qualified by SAFDi, BADC &#038; Intimacy On Stage &#038; Screen with over 25 years of experience, covering professional Live Theatre, Opera, Film, &#038; Mainstream TV.<\/p>\n<p>Directing credits include\u00a0 Richard III (Front Foot), The Break-up Autopsy,\u00a0 Random Acts Of Shakespeare (Bath Literary Festival), Doubt (Newtown Theatre, Sydney), On The Ropes (Theatre Delicatessen), Domestic (Seymour Centre, Sydney), Momentum (Old Red Lion Theatre), The Show Girl (ACP Theatre), Mother Figure (Simply Theatre, Switzerland), Think Big (Newtown Theatre, Sydney), Table Top (St George Auditorium Kogarah), The Person I Once Was (Australian Institute of Music), Busted (KC Ensemble), With All My Heart I Hate You (Australian Institute of Music) and Earnie\u2019s Incredible Illusions (Simply Theatre, Switzerland).<\/p>\n<p><a href=\"http:\/\/www.lawrencecarmichael.com\">www.lawrencecarmichael.com<\/a><\/p>\n<p><a href=\"http:\/\/www.instagram.com\/lozcarmichael\/\">www.instagram.com\/lozcarmichael\/<\/a><\/p>\n<p><a href=\"http:\/\/www.facebook.com\/Lozcarmichael\/\">www.facebook.com\/Lozcarmichael\/<\/a><\/p>\n<p><a href=\"http:\/\/www.spotlight.com\/9558-1274-8445\">www.spotlight.com\/9558-1274-8445<\/a><\/p>\n<\/div><\/section><\/p><\/div><div class=\"flex_column av_one_half  flex_column_div   avia-builder-el-24  el_after_av_one_half  el_before_av_one_half  column-top-margin\" ><p><section  class='avia-team-member   avia-builder-el-25  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><div class='team-img-container'><img class='avia_image avia_image_team' src='http:\/\/frontfoottheatre.com\/wp-content\/uploads\/2022\/04\/IMG_13812-1-687x1030.jpg' alt='Aaron Blackledge'  itemprop=\"image\"  \/><\/div><h3 class='team-member-name'    itemprop=\"name\" >Aaron Blackledge<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Assistant Director<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p style=\"text-align: justify; text-justify: inter-ideograph; vertical-align: baseline; margin: 10.2pt 0cm 10.2pt 0cm;\"><span style=\"font-size: 10.0pt; font-family: 'Open Sans',sans-serif; color: black;\">Aaron is a director, currently completing their MFA in Theatre Directing at East 15 Acting School, and an award-winning Lighting Designer. He was the 2020 recipient of \u00a0The David Brockett Award for Backstage Achievement from the New Zealand Theatre Federation.<\/span><\/p>\n<p style=\"vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-origin: initial; background-clip: initial; margin: 10.2pt 0cm 10.2pt 0cm;\"><span style=\"font-size: 10.0pt; font-family: 'Open Sans',sans-serif; color: black;\">He has a passion for tight ensemble work and getting text to be playful and Athletic. <\/span><\/p>\n<p style=\"vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-origin: initial; background-clip: initial; margin: 10.2pt 0cm 10.2pt 0cm;\"><span style=\"font-size: 10.0pt; font-family: 'Open Sans',sans-serif; color: black;\">Their Directing Credits include : Bare: A Pop Opera, Mousing Around a Disney Sing-A-Long Adventure, Ellie and the Star, The Fairy-tale Cookbook, DinoRock: A Musical For Kids, Sword in the Stone, Marvellous Adventure of Jack and Daisy. As well as assisting Victoria Gartner on Bard in the year; A Scottish play. <\/span><\/p>\n<p style=\"vertical-align: baseline; background-image: initial; background-position: initial; background-size: initial; background-repeat: initial; background-origin: initial; background-clip: initial; box-sizing: border-box; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-stretch: inherit; line-height: inherit; margin: 10.2pt 0cm 10.2pt 0cm;\"><span style=\"font-size: 10.0pt; font-family: 'Open Sans',sans-serif; color: black;\">Production and Design Highlights: Technical Director &#038; Co-Producer for Fringe at the Gryphon, Macbeth (Video &#038; Lighting), King Lear (Lighting &#038; Sound), \u00a0The Bone Thief (Lighting) Heart &#038; Music ( Technical Director), Mr. Foote\u2019s Other Leg (Lighting), The New Zealand premiere of Ordinary Days( Producer &#038; Lighting), Midsummer Night\u2019s Dream( Lighting), \u00a0Jukebox Heroes: Legends of Rock &#038; Roll (Lighting).<\/span><\/p>\n<\/div><\/section><\/p><\/div><div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-27  el_after_av_one_half  el_before_av_one_half  column-top-margin\" ><p><section  class='avia-team-member   avia-builder-el-28  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><h3 class='team-member-name'    itemprop=\"name\" >Ethan Cheek<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Set Designer<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p class=\"\">Ethan has graduated from The Royal Central School of Speech and Drama.<\/p>\n<p class=\"\">His previous theatre work includes: Designer\u00a0<em>BORDERS (<\/em>Shout Festival),\u00a0Associate designer to Lee Newby, <em>LES MISERABLES, <\/em>The Mack (Mountview), Set Designer,\u00a0<em>SPRING AWAKENING (<\/em>The Embassy Theatre),\u00a0Set Designer\u00a0<em>DESIRES VILLE (<\/em>Webber Douglas Studio), Costume and Lighting Design,\u00a0<em>GREAT RECKONINGS (<\/em>Camden Peoples Theatre),\u00a0Set Designer, <em>GILGAMESH (<\/em>The White Bear Theatre),\u00a0Assistant Designer and Drafter to Nancy Sermon,\u00a0Assistant Designer and Drafter to Justin Williams, <em>WONDERVILLE (<\/em>The Palace Theatre),\u00a0Assistant Model Maker to Mayou Trikerioti,\u00a0Assistant Model Maker to Sophia Pardon (Arts Ed),\u00a0Assistant Model Maker to David Shearing,\u00a0Assistant Designer to Simon Wells, <em>CINDERELLA\u00a0<\/em>(ANDREW LLOYD WEBBER,\u00a0Gillian Lynne Theatre),<strong>\u00a0<\/strong>Model Making Assistant to Ian Macniel, <em>ARIODANTE\u00a0<\/em>(Bolshoi New Stage),\u00a0Model Making Assistant to Hannah Postelthwaite, <em>JAMES VEITCH COMEDY SKETCH (<\/em>The Late Late Show), Props Assistant to Rebecca Brower, <em>RISE (<\/em>Wembley Park).<\/p>\n<p><a href=\"https:\/\/www.cheekedesign.co.uk\">https:\/\/www.cheekedesign.co.uk<\/a><\/p>\n<\/div><\/section><\/p><\/div><\/p>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-30  el_after_av_one_half  el_before_av_one_half  column-top-margin\" style='border-radius:0px; '><p><section  class='avia-team-member   avia-builder-el-31  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><h3 class='team-member-name'    itemprop=\"name\" >Ryan Day<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Lighting Designer<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><div id=\"comp-j84fnfqt\" class=\"_2Hij5\" data-testid=\"richTextElement\">\n<p class=\"font_8\"><span class=\"color_13\">Ryan trained at The Royal Central School of Speech and Drama, studying theatre lighting design.\u00a0<\/span><\/p>\n<p>His credits include: Magical (Earl Cameron Theatre), Nutcracker (Ruth Seaton James Theatre), Richard II (St Peters Rehearsal Room), Hairspray The Musical (ST Marylebone C E School), Anatomy of a Suicide (Webber Douglas Theatre), Attempts on Her Life (Drayton Arms Theatre), The Bexliest Day of Our Lives (The Exchange Erith), DarkNet (Union Theatre), Reflections (Mid Ocean Amphitheatre), Mamma Mia (Earl Cameron Theatre), Dr Faustess (Cockpit Theatre), Urinetown (Embassy Theatre), Ghost House (The Pit at the Vaults), The Ballad of Corona V (The Big House), Les Miserables (Sondheim Theatre), The Lemon Table (Salisbury Playhouse), A Merchant of Venice (Playground Theatre), About 500 (Union Theatre), Wild Onion (Theatre Peckham), IKIKIK (Southwark Playhouse), Christie Done It (Cockpit Theatre).<\/p>\n<\/div>\n<p><a href=\"https:\/\/www.ryandaylighting.com\/\">https:\/\/www.ryandaylighting.com\/<\/a><\/p>\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div first  avia-builder-el-33  el_after_av_one_half  el_before_av_one_half  column-top-margin\" ><p><section  class='avia-team-member   avia-builder-el-34  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><h3 class='team-member-name'    itemprop=\"name\" >Helen Rose Hampton<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Producer<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><p>Helen trained at the American Academy of Dramatic Arts, The Actors\u2019 Temple and the Salon:Collective.<\/p>\n<p>Her acting credits include\u00a0Queen Elizabeth in Richard III, Ruth in Blithe Spirit, Kate in Taming of the Shrew, Lady Macbeth in Macbeth, Arkadina in The Seagull, Diane\u00a0in The D-List, Carol in The Monkey&#8217;s Paw, Cathy in Unconditional, Judith in Letting Go, Georgina Bourne in Peace in Our Time, Jo in The Lady from Dubuque and Doctor in Tick Tock.<\/p>\n<p>Helen also co-produces MonoRogue which performs regularly at The Old Red Lion Theatre. Film credits include Stacey in Destination Dewsbury and Tessa in Major Hana. TV includes Audrey in Re-Extinct.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<\/div><\/section><\/p><\/div>\n<div class=\"flex_column av_one_half  flex_column_div av-zero-column-padding   avia-builder-el-36  el_after_av_one_half  avia-builder-el-last  column-top-margin\" style='border-radius:0px; '><p><section  class='avia-team-member   avia-builder-el-37  el_before_av_textblock  avia-builder-el-first '  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/Person\" ><h3 class='team-member-name'    itemprop=\"name\" >Joanna Buchta<\/h3><div class='team-member-job-title '   itemprop=\"jobTitle\" >Producer<\/div><div class='team-member-description '  itemprop=\"description\"  ><p>Joanna spent her teenage years playing in amateur productions dreaming of founding a professional theatre company in the future. However, since moving to London in 2002, she has abandoned her amateur career and decided to focus on Arts in general..<\/p>\n<p>Since completing her Arts Management degree in London, Joanna has worked mainly with independent theatre companies, on site-specific productions, with Kazuko Hohki, Kazzum, Panta Rei Theatre with Chiara D\u2019Anna. Joanna has also a wide experience working in many projects in the field of the Arts, these includes: independent music label, film production, arts conservation and interior design.<\/p>\n<\/div><span class='hidden team-member-affiliation'  itemprop=\"affiliation\" >Front Foot Theatre<\/span><\/section><br \/>\n<section class=\"av_textblock_section \"  itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock  '   itemprop=\"text\" ><\/div><\/section><\/p><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1660","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1660","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1660"}],"version-history":[{"count":34,"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1660\/revisions"}],"predecessor-version":[{"id":2347,"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=\/wp\/v2\/pages\/1660\/revisions\/2347"}],"wp:attachment":[{"href":"https:\/\/frontfoottheatre.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}